A recent screenshot. To get a taste of what this configuration
sounds like, listen to
Kobi-Norgen_20000131
[ftp]
[http] (96k MP3) [0:05].
(That's only a few seconds long but you'll get the idea...).
Similar story, this one sounds like
Kobi-Martcht_20000202
[ftp]
[http] (96k MP3) [0:05].
Sounds like
Kobi-Versh_20000203
[ftp]
[http] (96k MP3) [0:05].
Sometime during or after
Kobi-Dozamo_20000203
[ftp]
[http] (9512k MP3) [9:54].
Just after
Kobi-Rhazmos_20000209
[ftp]
[http] (5626k MP3) [6:00].
I say these "sorta sound like blah.mp3" because you keep
fiddling with the sounds while they're playing, so it keeps changing
over time. That's kinda the point of the software, you can play it
live.
Some older screenshots, taken on May 20 1998.
- Grab 1
- A klavier drives syre, which is fed through a delay module to the soundcard.
- Grab 2
- A klavier drives a syre, which is fed through a delay as before. Now
there is also a whitenoise generator, which is fed through a resonant
low pass filter. This filter is triggered by the same klavier that drives
the syre. Both outputs are mixed through a crossfader to the output.
- Grab 3
- Here /dev/dsp is used for input. It is fed through a delay module to
/dev/dsp1. The result is a realtime echo of microphone input.
- Grab 4
- This is a demonstration of the quadraphonic setup. A sound is generated
with the usual klavier/syre/delay combination. That then goes to the
4-way panner/fader module which splits its stereo input into two stereo
output streams (forward and rear). Each of these is then output via a
different soundcard (the forward stream goes to /dev/dsp and the rear
stream to /dev/dsp1).
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